Stephanie Gagnon

About Green Tree Media

Wife & the owner of one rambunctious little pup, I get to live my passion as a lifestyle photographer for genuine, open, & awesome people! I\'d love for you to join the Green Tree Media Family!
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Archive: ‘Photography Tips & Info’



Five Elements of a Great Image

Wednesday, February 8th, 2012

As a photographer, it’s incredibly important to know what makes a great picture. Just having a nice camera and fancy tools isn’t enough to really make it in this industry anymore. Knowing what to look for and honing in on those specific things can help you capture truly unique, personal, and in the moment images that will hopefully help to set you apart from your peers. Here’s just a few things that I look for during a session

• Composition
I had a little bit of trouble deciding what was the most important aspect of an image. But finally after much thought – I came to the conclusion that composition should be the first thing you consider when taking a picture. Composition can actually make or break an image. There are some images that seem boring and mundane until you recompose them. For example:

CompositionNow I’ve seen many pictures of the bride and groom (or engaged couple) laying in this pose. But most often when you see this kind of picture – it’s a close up of their faces and maybe the tops of their shoulders. This is a uniquely composed image. Not only are we seeing their whole bodies at a nice little 45 degree angle, but we also have this wonderful circular tile pattern on the floor. Couple that with the brides fanned out train and veil and it makes a really beautiful eye-catching and unique image.

Here’s another good example:

Composition 2

I LOVE this picture! How cute is this little girl! I’ve seen so many pictures of little kids peeking over things, waiting for dad to get home, etc. But this one is from a different angle. You don’t often see a profile shot of the child. And this photo is taken so that that all the focus is on the girl’s beautiful blue eye and gorgeous long lashes! It just makes me smile every time I see it!

One more example of composition:

Composition 3

This is another image that takes a standard sort of pose and gives it an all new twist by changing up the composition. In actuality the coupe in this image is actually just a reflection. The only part of them we really see is the thighs down. The other interesting thing to note is that the couple is not distorted in the reflection – which actually takes a bit of preparation and patience to reach just the right angle to avoid a lot of distortion. All in all – this makes for a really unique image!

• Story Telling
This is a trait I personally find important – although not everyone does. I think the best pictures tell the story of the people in it. Now this may be some kind of artistic creation which can be really cool like in this picture:

But usually what I’m talking about is more just an image relaying an event that occurred, an emotion, or just a little about the people in the picture. So here’s an example:

Story Telling 2

I love this picture! There is so much awesomeness here between the lighting, composition, and story told. Obviously this is a proud new daddy. Sure maybe the babies not in full view and it’s a tightly cropped picture, but a story is very clearly told. You can tell this baby is brand-spankin’-new! And that Daddy is so proud and happy, and just look at that beaming momma in the background! I’d be willing to guess these are first time parents and they are just completely infatuated with this new little person. Love it!

Here’s another cute one:

Another picture I love! So since we’re focusing on the story here’s what I get from this picture. I see this beautiful, sweet little girl, soft colors and flowers galore. She’s the picture of little girl innocence and sweetness. She’s possibly making a wish while she’s blowing those flower petals, and it makes me wonder what she’s wishing for. I also feel as though I know what she’s going to do right after this shot. She looks up bright eyed and grinning from ear to ear. It’s just a simple picture that says a lot to me.

Here’s the last one I’ll show (and it’s the only one of my own I’m going to give as an example):

Story Telling 4

So here’s why I love  this image! Since I took this picture – I know this couple a bit. We so often see pictures of young people – it’s nice to occasionally see the contrast of those who are ahead of us. This is a couple who has obviously been together for a very long time. Married for who knows how many years. A couple that is very much still in love and enjoys spending time together. Even if it’s just to read the morning paper. I see love when I look at this picture and its the kind of love I hope to have when I’m their age.

• Emotion
We are often taking pictures of faces. Everyone’s face is totally unique and different and so much emotion can be seen just in a person’s face. So many, many, many pictures are of people’s faces. Here’s a great example of a highly emotive image focusing on people’s faces:

Emotion 1

When I look at this image – I see utter joy. The happiness and glee between these two friends is just beautiful to see. It’s something that you might pose – but a genuine emotion that you can’t force. It’s the kind of picture that if this was me and my bestie – I’d be holding onto this for years so that when we’re 80 we can look back and realize how many years of fun we had.

Here’s my next example:

Emotion 2

What an awesome father and child picture! This is another great image for story telling too. But the emotion and lighting is what makes this an awesome picture! That subtle smile, the peace and calm in dad’s face, the gentle way forehead is touching forehead… It’s as though this dad is trying to convey to his child telekinetically how much love he has for his little one. If this was a photo of me and my dad – I’d be cherishing this picture forever!

Here’s my last example:

Emotion 3

Emotion in a picture doesn’t always need to be happiness or joy sometimes it can be something different – like sadness, loneliness, relief, peace, calm. It could be anything. This image conveys a completely different emotion than the previous two. I look at this picture and I feel like I’m there. I’ve done this exact thing before. Nothing fills me with more calm and peace than nature. Just being outside, feeling the breeze on my face, and letting go of my stress, worries and fears. To me this picture depicts relief, peace, and freedom.

• Detail
I find detail images to be fascinating and often some of my favorite images. We focus on people’s faces so much that sometimes it’s fun to mix things up and throw in some pictures of other little details to remind ourselves of the little things. Like in this image:

Details 1

What momma doesn’t love sweet little baby toes or the reminder that at one point in time her baby’s legs could fit in her hands. Kids grow so fast – it’s these little details that we forget too quickly so having sweet little reminders like this is often the sweetest gift we could get.

Here’s another one I love:

Details 2

This may be a small picture and heads may be chopped off, but I love how much content there still is to this image. I love the way her hands are tucked back towards her chest and he’s hanging on to her. I love the kiss and the composition. So much is captured in this image without showing their faces.

Here’s the last one:

Details 3

This one is similar to the previous image but it’s even more subtle and tightly cropped. I love that all you’re seeing is their inner elbows, the tops of their inner knees and his hand. And yet you can still guess what the look on their faces might be. I also love thinking that perhaps this couple isn’t that type that likes PDA (public displays of affection) but they have their own little ways of letting each other know they’re thinking about them and they like having them close – like the subtle touch of his finger on her arm. :)

• Lighting
Lighting is the last element and probably one of the most important because you need light just to create a picture or to set a mood. I’m sure you’ve noticed some of the awesome lighting in the previous pictures, but I’ll give you just a few more examples. Here’s an interesting take on backlighting:

Lighting 1

I love that the couple is the darkest part of this picture (which is the opposite of how you would normally shoot. I love the lens flare over the top of them and they style of silhouetting. I also love that the balloons become more translucent when backlit in this fashion. It creates for a really dynamic and unique image!

Lighting 2This is one of my favorite ways to utilize natural light. You can create awesome natural soft boxes by having your subject stand in front of a window and using those lovely sheer curtains to create the perfect soft box. One of the perks to shooting this way is that you get these amazing high contrast photos. Here’s another example of a single light source – high contrast photo:

Lighting 3
See the awesome moody silhouettes you can create with this kind of lighting. With the solid black backdrop and the one back light you get the perfect silhouette of this gorgeous pregnant momma. It’s an incredibly visually stunning image.

Well there you have it. You now know the five elements that help in creating stunning imagery. Composition can help you take a standard pose and give it a new twist. Story telling can help you relay more about a person or couple in an image. Emotion is often one of the most important elements to a picture especially when conveying joy or happiness. Detail shots can make for a great reminder of the little things we love in others. And of course, lighting will always make a break a picture since light is what actually enables us to take a picture.

I hope you found this at least a little helpful or insightful. If nothing else – you got to see some beautiful pictures by other photographers. I hope you’re having a great Wednesday and that I’ll see you back here on Friday!

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My Shooting Style | Lifestyle Photography | Central IL

Friday, September 30th, 2011

So I said on Monday that I would discuss my personal style later this week, and what do ya know…. it’s later this week! ;) So I talked about Traditional, Photojournalism, and Lifestyle Photography in my article. I am a Lifestyle photographer. It’s the type of photography I prefer and the type of photography that I excel at.

This is what a Traditional photo would look like:

Traditional Family Portrait

A nicely arranged grouping, everyone facing forward, and often using artificial lighting and a background. This is a lovely photograph. Everyone’s smiling nicely, everyone’s looking at the camera, and everyone’s dressed nice.

Now here’s a lifestyle family portrait:

Lifestyle Family Photo

Now this picture may not be perfectly arranged. You may not be able to see everyone’s faces perfectly and they may not be set up just so. But this picture… it shows how much love there is between these parents and their son. The joy on that boy’s face is just priceless! It’s a moment frozen… not a time in life perfectly created to be captured.

These are the kinds of photographs that move me… The type of photos I strive to capture. Images that tell a story. That share your relationships, your love, your smile, your laughter, your quiet peaceful personal moments. I don’t know about you, but I want to be remembered for who I am – my quirks, my laugh, my happiness, my fun, even my sadness/concerns. I want my photos to say something about me, and when I’m taking photographs, I want my images to say something about my clients too!

If when you look at a photo you remember the joy that filled your very being just looking at your perfect little baby girl, or the peace that fell over you the moment your bride walked down the aisle, or how much fun your little family had running around at the park – then I’ve done my job. I’ve captured a moment, an emotion, You!

That is not to say that I won’t take those posed portraits – I do take photos like that, at weddings in particular. But I’m not a fan of them, and they aren’t my strong point. If that’s the type of photography you prefer – you’re really better off finding someone else to do your photos because I admit I’m not very good at it and I’d rather you be happy with images from someone else.

I hope that I explained this well. I sometimes have a hard time relaying everything I’m thinking when it comes to this subject because I have so many thoughts and some of them aren’t easily put into words. But hopefully this kind of explains my shooting style a little better.

I hope you all have a wonderful weekend!

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A Brief Look at Different Photographic Styles

Monday, September 26th, 2011

Hey everybody! This Monday morning I thought I’d take a few minutes to post an article I wrote on photographic styles. This topic has become a pretty dominate question among brides in particular these days, and it’s something I feel very strongly about myself. For today enjoy this  bit of information about the different styles and I’ll talk a little about my personal style later this week.   Enjoy!

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One of the things that is often talked about between photographers and especially brides these days is photographic style. “What’s your style?” is a question we hear a lot. Now there are two definitions for style in the photography world. The first is the photographer’s unique style… what makes their images different from everyone else and what sets them apart. The other is the photographer’s shooting style – the way they capture their images, and this is what most people want to know about and therefore what I’m going to talk about today.

Let’s start with traditional photography because it is the oldest & most common style of photography. This is the type of photography you see often at weddings or in department store photos, and traditional photography is easily recognized by it’s contrived posed or “set up” look. A benefit to this style of photography for weddings is that these photographer often use a shot list, which means that specific poses are part of this photographer’s routine. There are a few disadvantage to this style. One of biggest issues involves their shot list. Traditional photographers get very focused on their shot list so much so that they may miss a special moment because they are more interested in shooting to sell and not necessarily capturing your story. The other big issue is often that the bride groom end up spending so much time taking photos that they miss out on getting to spend time with their guests and enjoying their day.

Then you have photojournalistic photographers. This has become a very popular style of photography among brides due to it’s candid and story-telling nature. It is also wonderful because there are no time consuming shot lists of images that need to be captured. The photography is left to the photographers artistic vision. What most brides don’t realize though is that these photographers are simply quiet observers, capturing the events of the day as they unfold. They do not create posed portraits, nor do they give any guidance while capturing the images. There goal is to be a fly on the wall and accurately portray your day exactly a it happens. The benefit of this style is that the bride and groom aren’t kept from their guests at all. They can easily flow from getting ready, to the service, to the reception with no need for hours of posed photos. However, brides (and parents) are often disappointed later because they didn’t get any of those posed portraits.

The last style of photography is the contemporary or lifestyle photographer. These style is a sort of blend between the two. Contemporary photographers are often said to be more artistic and creative in that they are often thinking in terms of design and beautiful compositioned backgrounds. Good use of lighting is also often a trait of this style of photography whether its with lighting equipment or simply using the natural lighting in the area. Unlike the photojournalistic photographer, contemporary photographers provide direction and the couple together with their bridal party  are encouraged to interact. This results in more spontaneous, artistic photos that capture not only those special moments but the over all feel of the day.

So there you have it. The three main styles of photography for weddings are traditional, photojournalistic and contemporary. There are pros and cons to each style and it really just comes down to what the bride and groom feel more comfortable doing. The best advice I can give is to start shopping for your wedding photographer early. That way you’ll have plenty of time to shop around, ask questions, and determine what exactly you want on your wedding day – a rigid routine of outlined photos, accurate image captures of your day, or more creative and posed images capturing the over all feel of your day.

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How Does Your Camera Work? Aperture

Friday, September 2nd, 2011

Well this is the last basic feature of your camera settings that can help you take amazing photographs. We’ve already covered ISO and shutter speed so all that is left is aperture.

So you know that your lens has a shutter that opens and closes to let in light, but this shutter fulfills another task as well. When you select an aperture setting, or f-stop, what you are doing is telling that shutter how large an opening you want. The larger the number you select – the bigger the opening in your shutter. The bigger the opening, the more light you are letting into your camera.

Aperture.... Lens Opening

One of the effects you can achieve with aperture is bokeh. Wikipedia describes bokeh as “a photographic term referring to the appearance of out-of-focus areas in an image produced by a camera lens. Different lens bokeh produces different aesthetic qualities in out-of-focus backgrounds, which are often used to reduce distractions and emphasize the primary subject.” You can also create different shapes in your bokeh using different attachments. You can see different samples of this below:

bokeh

Your aperture setting can also effect your depth of field. Depth of field is essentially the distance between the nearest and farthest objects in an image that appear sharply in focus. Depending on how you set your aperture changes how wide or narrow your depth of field is. So how do you know what your depth of field is going to be? Well, the smaller your opening – the sharper your image, which means the higher your f-stop the sharper your image. Here’s just a couple examples to show you the difference.

Depth of Field 1

Aperture

Aperture is probably one of the most beneficial components of your camera to understand to be able to create high quality, professional looking photos. I am planning on adding one more post to this series to explain how to put all these functions together, and then you should have a pretty firm grasp of the basics. Until then – keep practicing!

How Does Your Camera Work? Shutter Speed

Friday, August 19th, 2011

In this portion of “How Does Your Camera Work?” I will be discussing shutter speed, and how it can affect your images.

So what is shutter speed? Well this setting determines how quickly your shutter opens and closes. The longer your shutter is open the more light you are letting in, and the more light that is hitting your sensor. Shutter speeds are measured in fractions of seconds, such as: 1/30, 1/60, 1/250, etc.

This ability to set your shutter speed has a multitude of benefits. A quicker shutter speed allows for more sharpness to your images. Unfortunately, you do sacrifice light with a quicker shutter speed since your shutter isn’t open as long., which means in order to obtain the right exposure you will need to compensate accordingly with your ISO setting and/or Aperture setting. Oftentimes additional light is required whether it’s through your camera’s flash or other lighting units.

Faster shutter speeds work great for sports photography. With the right amount of lighting and a quick shutter speed, you can freeze and athlete in motion during an impressive play.


Greenville College Senior Basketball Players

You can capture equally stellar photos by slowing your shutter speed down. In this way you can pan with your moving subject (that is move your camera along with the subject), thus blurring everything but the subject you pan with in your image. This can be a little tricky because you will need to move your camera in sync with your subject, but the image very accurately captures the speed at which your subject is moving.

St. Teresa Basketball Boys

Another fun use for a slow shutter speed is to capture light. I don’t just mean sunlight or the light from your flash, but to capture light as your subject like when photographing fireworks, sparklers, traffic lights, etc. When you were a kid did you ever right your name with sparklers on the fourth of July? Well with a long exposure you can actually see your fiery words in print. You can  create the same kind of impressions with the lights on cars and a long exposure or just dancing around a darkened room with a flashlight and your camera set to a slow shutter speed. There are some pretty awesome images out there that are created by using this method.

Long Exposure

Long Exposure capture of traffic

Light Painting

Well I hope you have found this article on your camera’s shutter speed helpful, and maybe you even found some new fun things you would like to try out. The next article I post will focus on your aperture settings and the effect they have on your images.

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How Does Your Camera Work? ISO

Friday, August 5th, 2011

Well we’ve discussed the history of the camera and a little about what’s going on inside your camera when you take a picture. Today, I am going to cover some of the basic features you can alter on your camera that effect what kind of photograph you will be taking or making.

In the last post, I talked about how light enters your camera to create the picture on your film or digital light sensor. All of the controls I will be going over directly relate to how much light is being brought into your camera and how that effects your end result. In this edition I will be covering ISO.

ISO is probably the one feature you hear the least about when you are looking up photography online, and yet it plays a very significant role in the kind of images you will produce. ISO stands for International Standardization of Organization. ISO originally related to the type of film you purchased. ISO originally related to the type of film you purchased. The higher the ISO number of your film, the more sensitive the surface of your film was (and the faster your film’s exposure speed was).

When I first started learning about photography (years and years ago), I primarily concerned myself with ISO in relation to where I was taking photos and the time of day. Indoors you would want a much higher ISO film or setting, such as ISO 6400. Whereas outdoors you may drop down as low as ISO 200. Just imagine how many different rolls of film a wedding photographer would have needed to be able to create the correct exposures inside a dark church and then outside the church as the bridal party was leaving.

Here’s a quick example:

ISO setting variations

The aperture and shutter speed settings are the same in both of these images. The only difference is the ISO. The image on the left is set at 3200 and the image on the right is set at 6400. You can hopefully see the difference between these two images.

One of the drawbacks to a higher ISO setting is that the images often have more NOISE. It’s not that it’s bad. Some people just don’t like this look or effect on their images. Noise is more noticeable on the darker areas of a picture, you’ll see those tiny little dots that resemble little grains. You can see them a bit in the image on the right.

This logic still applies to today’s digital cameras. The ISO numbers still correlate to your digital sensor’s sensitivity to the light you are letting in. So the higher your ISO number – the faster your sensor is exposed to the light and the more light you are letting into your camera.

I hope this helped you understand ISO settings a little better. Next time I’ll be explaining shutter speed and how it affects your images.

Have a wonderful weekend!

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Truth: Hopes, Dreams, & the Photography Community…

Wednesday, August 3rd, 2011

How much do you know about the photography industry? In the past three years, I feel as though I’ve learned a lot (and I’m constantly learning more). One of the things you may not know is that the industry has changed dramatically in the past few years. The entrance of consumer grade digital cameras has created an influx of amateur photographers into the industry. This growth has created an interesting dynamic among the photographers in the industry. You really find two groups these days – those who believe in sharing knowledge and those who close off and become cold towards the new photographers.

I’m a member of the first group. I don’t have the time, the energy, or the heart for such negativity and hate. Besides, I used to be (and to an extent still am) one of those young hopefuls. I have dreams and desires as a photographer. I would love nothing more than to be a well known photographer in our area. To be successful enough that this business becomes our main source of income. To have people want to be a Green Tree Media bride or a Green Tree Media Senior. To have people want to be a part of this photographic family I am so trying to create. They’re big dreams, I know. Dreams no doubt similar to other photographers trying to make it. So who am I to squash the hopes and dreams of other start-ups.

I believe that it takes all sorts. There’s a place for the big box company’s, the studios, the traditional photographers, the lifestyle photographers, and the amateur photographers. I think the issues lie in lack of understanding and knowledge. I’ll admit when I started I did not understand why the studios and big photographers charged what they did, but I QUICKLY learned the need to price sessions and products accordingly in order to survive. I think the big studios get frustrated and angry at the newbies who price their goods and services far too low, and the newbies don’t understand why they should charge more or the effect their low prices are having on the industry.

But instead of getting angry and shunning the new photographers, criticizing or insulting them, they should be educating them. Hate and distrust won’t get us anywhere. In the new world of technology and social networking – sharing information is the best way for us to thrive… all of us! How can we expect the new photographers to understand or learn if the experienced ones don’t share what they know?

I have another dream you see… I dream of having a wonderful community of photographers here in Central IL. A group that supports and encourages one another. It’s sad that we currently don’t have such a community, but all it takes is a few people. A few people who are willing to step out, share, and feel inspired and good about helping others. So if you are a photographer in the greater Decatur area and are interested in the new community we are trying to form – please feel free to send me a message (stephanie@greentreemediaonline.com). We working on starting a monthly meeting for local photographers and we’d love for you to be a part of it!

Candle Quote

Photo by soft_eye on flickr http://www.flickr.com/photos/drnirmalkumar/

Have an amazing Wednesday!

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How Does Your Camera Work? SLRs

Friday, July 22nd, 2011

Well last time we learned about the history of the camera and how it developed and evolved over time. Today we are going to look at the Single Lens Reflex camera specifically and how it works.

Most of the prosumer to professional grade cameras are SLRs these days, digital cameras included. So the basic principles of the original camera still apply to these modern cameras. All cameras are a light proof box with some method of allowing a small amount of light. In today’s SLRs, this light enters your camera and either causes a chemical reaction on photographic film or energizes a photo cell in your digital camera.

Let’s say you are taking a picture of some handsome little man…. Like this guy:

Okay, now let’s look at the diagram below so that I can explain what’s happening…

When you are taking a picture, light is bouncing off your subject – in this case, a handsome little ring bearer. As the light is bouncing off him, it passes into the camera, through a set of lenses, and onto a mirror. From this mirror it bounces up and around the pentaprism you see above. The pentaprism is actually a five sided shape that carries the light around it and through the eyepiece and into your eye.

You wait for the perfect moment to take a picture of this cutie! When you see the opportune moment, you push the button and take a picture. When you press the button – you are causing that hinged mirror to flip up out of the way seconds before your shutter opens, thus exposing your film or light-sensitive cells to the light creating a picture.

handsome little ringbearer

So that’s one of the two most important things to taking a great picture… LIGHT! If you can understand how the light is working in your camera it can help you take better pictures. You’ll start to see that pretty scenery isn’t as important as getting the right kind of lighting, and you’ll figure out what creates great light and how to let light in your camera for the best quality image from practicing in different environments.

Next time, I’ll explain the different functions of your camera and how they can effect your images if you know how to use them.

Have an awesome weekend!

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How Does Your Camera Work? A Bit of History

Friday, July 8th, 2011

I have often said that to be a great photographer, you need to understand how your camera works. I still hold by this statement. I first learned how a camera worked when I was in 6th grade doing photography projects for 4-H, and we discussed it again in my introductory photography classes in college. Just knowing what your camera is doing when you take a picture can make a huge difference in not only how you take pictures but in the end quality of your images.

Let’s start at the beginning. The first camera was known as the “camera obscura” which is Latin for “dark chamber.” It’s a great name for the device because it’s quite a literal translation. The first cameras were actual darkened rooms or tents with a pin point hole cut into the wall. Light would come through this opening and transfer an upside down miniature image onto another surface inside.

pin hole principle

Originally artists used this technique to trace the landscape, person, etc. outside their camera obscura. This method was used by both amateur and professional artists in a variety of mediums.

There are some photographers who still use this method to create some very interesting imagery. Abelardo Morrell is one such photographer. He has used rooms across the world (hotel rooms, gallery rooms, abandoned rooms, etc.) to make simple cameras, Camera Obscura. He made the rooms themselves into the camera by covering the windows in the room with light tight material and removing a one inch square in the center of the window in order to create a simple lens. These images were taken by setting his camera up in the room with a long exposure (a very slow shutter speed).

Eventually these camera obscuras were shrunk down to a box size for easier use.

The first camera obscura that was small and portable enough for practical use was built by Johann Zahn in 1685. At that point in time, there was no way to preserve the images produced by these camera. However, in 1724, Johann Heinrich Schultz discovered that a silver and chalk mixture darkens under exposure to light. Early photography built on these discoveries and developments. The early photographic cameras were essentially similar to Zahn’s camera obscura, though usually with the addition of sliding boxes for focusing. Before each exposure, a sensitized plate would be inserted in front of the viewing screen to record the image. The first permanent photograph was made in 1826 by Joseph Nicéphore Niépce using a sliding wooden box camera made by Charles and Vincent Chevalier in Paris and building on Schultz’s discovery about silver and chalk mixtures darkening when exposed to light. Other forms of creating these permanent images eventually developed. Jacques Daguerre’s popular daguerreotype process utilized copper plates, while the calotype process invented by William Fox Talbot recorded images on paper.

However there was one problem. All these forms of cameras required a long exposure time to capture the image. That is until 1850 when Frederick Scott Archer created the collodian wet plate process which cut exposure times dramatically. The one downfall to this method was the it required photographers to prepare and develop their glass plates on the spot, usually in some kind of mobile darkroom. Other types of wet plate cameras were created as well, like the ambrotypes and tintypes, but they all required some type of on the spot processing.

Here’s a quick rundown of the different types of cameras as they were created:

Plate Cameras – These are the cameras we were just discussing. This is the type of camera you may have seen in old films where the photographer would drape a dark cloth over his/her head.

Large Format Cameras – The large format camera is a direct successor of the early plate cameras and remain in use for high quality photography and for technical, architectural and industrial photography. There are three common types, the monorail camera, the field camera and the press camera. All use large format sheets of film, although there are backs for medium format 120-film available for most systems, and have an extensible bellows with the lens and shutter mounted on a lens plate at the front. These cameras have a wide range of movements allowing very close control of focus and perspective.

Medium Format Cameras – Medium-format cameras have a film size somewhere in between the large format cameras and the smaller 35mm cameras. Typically these systems use 120- or 220-film. The most common sizes being 6×4.5 cm, 6×6 cm and 6×7 cm. The designs of this kind of camera show greater variation than their larger brethren, ranging from monorail systems through the classic Hasselblad model with separate backs, to smaller rangefinder cameras. There are even compact amateur cameras available in this format.

Folding Cameras – The introduction of films enabled the existing designs for plate cameras to be made much smaller and for the base-plate to be hinged so that it could be folded up compressing the bellows. These designs were very compact and small models were dubbed Vest pocket cameras.

Box Cameras – Box cameras were introduced as a budget level camera and had few if any controls. The original box Brownie models had a small reflex viewfinder mounted on the top of the camera and had no aperture or focusing controls and just a simple shutter. Later models such as the Brownie 127 had larger direct view optical viewfinders together with a curved film path to reduce the impact of deficiencies in the lens.

Rangefinder Cameras – As camera and lens technology developed and wide aperture lenses became more common, range-finder cameras were introduced to make focussing more precise. The range finder has two separated viewfinder windows, one of which is linked to the focusing mechanisms and moved right or left as the focusing ring is turned. The two separate images are brought together on a ground glass viewing screen. When vertical lines in the object being photographed meet exactly in the combined image, the object is in focus. A normal composition viewfinder is also provided.

Single Lens Reflex (SLRs) – This is the type of camera most commonly used by professional photographers today. There is enough explanation that can go into this one camera that we’ll save it for the next post.

Well that’s a fun little bit of history for today. Next time I’ll post about the development of SLRs and how knowing about SLR cameras can help you further develop your images.

Have an awesome weekend!

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